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The title track is the piece de resistance of the album. Never knew Himesh Reshammiya possessed such a ‘dard bhara’ voice. He really sings like he has been through the trials and tribulations of love. He is perfectly supported by the Bengali sensation, Shreya Ghoshal. Sameer is back to his Saajan, Aashiqui days filling up this album with bechaini, bedardi and all those ishq words. But give me the ‘normal’ version of the song than the remixed version any day. Mar jaawa, mit jaawa has a Tumse milke dil ka hai (Main hoon na) feel to it, but it retains its originality.
Nothing to write home about, it is just average. Sunidhi sings well though. And Indian idol Abhijeet Sawant is a revelation. He manages to keep pace with Sunidhi. Aapki kashish has two parts and a remixed version. All are hummable. Himesh surprises again.
Seems like he trusted none of the singers to do justice to his compositions, since he sings most of them. He would do well to mind his pronunciations though. Sometimes, he threatens to sound like those Arabic singers who drawl out the words with a nasal sound. Kay Kay is the most underrated singer of today. With his superb vocal chords he lifts the average number Dil Nashin to new heights.
Sad that he has not got his due share of the limelight yet. Are the music directors listening? Sameer introduces a rare word here, ‘Tishnagi’. Help me with the meaning of the word, anyone.
In Dillagi mein jo beet jaaye, the musical arrangements sound very similar to Meri Umar Ke Naujawanon (Karz) and the style of singing is akin to Koi Kahe (Dil Chahta Hai). Here, Himesh is accompanied by Sonu and Shaan. There is a lot of energy in this song but did not impress me much.
Again, Himesh should control his drawl. Ruins the effect of the words. Buy it, if only for the title track. It is worth it.